Adobe Premiere Pro CS6 for Mac

rating Adobe Premiere Pro CS6 for Mac (16 đánh giá | Gửi đánh giá)
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Overview

Adobe Premiere Pro CS6 for Mac is a mature, professional nonlinear editor that has a host of fresh tricks up its sleeve. By now well-known to a broad range of professional editors and enthhusiasts, Premiere Pro gets even more familiar for its CS6 version. Over 50 enhancements to the workflow are designed to put it in line with those of other NLEs, which helps flatten the learning curve for those editors who are curious to switch over from other programs. And with a revamped interface that offers customizable button bars, it's even easier to mold Premiere Pro CS6 to your own preferences.

As with previous versions, Premiere Pro CS6 allows you to work natively with just about any major tapeless format that you can imagine – no transcoding or rewrapping required. This version adds support for the Canon EOS C300, ARRI Alexa, the RED Scarlet-X, and 5K footage from RED Epic. There's also integration with Adobe's Prelude software (sold separately), which eases import & logging for high-volume environments.

As for the brass tacks of editing footage, Adobe Premiere Pro CS6 expands its multicam capabilities, adds tools (Warp Stabilizer and Rolling Shutter Repair effects), accelerates and fortifies its 64-bit Mercury playback engine, and introduces productive little touches such as expanded trimming options and the ability to edit without stopping playback.

Before export, you'll find Premiere Pro's Three-Way Color Corrector more intuitive to use for primary and secondary color correction, and it features Photoshop-style auto-correct functions. The integrated Encore CS6 authoring software is now 64 bit, and DVD & Blu-ray Disc authoring are both enhanced. For every other output type, Adobe Media Encoder adds a Preset Browser and makes it easy to quickly encode video to almost any combination of target output formats, including HDTV, Android & iOS devices, and files for video-sharing sites.

New for CS6

Sleek, Highly Intuitive & Customizable User InterfaceView more of your media with redesigned monitor panels, customizable button bars, and a full-screen mode option. Work more easily with sound with the new audio track design, improved meters, and a revamped Mixer panelFluid Editing WorkflowTake advantage of the most requested editing enhancements, including over 50 enhancements to smooth the transition for those switching from another NLE. Mix audio with ease and use convenient, customizable keyboard shortcuts to handle a wide range of common tasksDynamic Timeline TrimmingFinesse your editing with precision by using powerful trimming tools. Trim clips your way – directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcutsWarp Stabilizer EffectEasily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in After Effects software. The Warp Stabilizer corrects jitter and rolling-shutter artifacts and other motion-related irregularitiesExpanded Multicam EditingQuickly and easily edit multicam footage from as many cameras as you have on the shoot. View each track's audio waveform, sync via timecode, switch between tracks in real time, and adjust color across multiple shotsMore Intuitive Three-Way Color CorrectorBetter manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Photoshop-style auto-correct functionsAdjustment LayersApply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shotFast Project Panel WorkflowsView, sort, and arrange media easily with the resizable clip thumbnails in the revamped visual Project panel. Quickly assemble rough cuts by scrubbing clips and setting in and out points directly in the Project panel, without first having to load clips into the Source MonitorExpanded Camera SupportWork natively with footage shot with a growing list of video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC, and RED SCARLET-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footageEnhanced, Flexible Audio TracksFreely combine and pan mono and stereo clips. Greater audio flexibility results from new adaptive audio track types and an easier way to create a multichannel masterAdobe Prelude CS6 Software IntegrationUse Adobe Prelude (sold separately) to efficiently log footage, create rough cuts to bring into Adobe Premiere Pro, and add comments and markers that are associated with the media. This simplifies organization and helps make your final video more readily discoverable onlineIntegrate with Adobe SpeedGrade CS6 SoftwareEasily export your Adobe Premiere Pro sequences to Adobe SpeedGrade CS6 (sold separately) for a complete finishing solution. In SpeedGrade, handle grading tasks like matching shots and creating consistent, nuanced color to visually enhance your projectsUninterrupted PlaybackStay in the creative editing zone. Make changes on the fly without playback stopping until you ask it to. Edit, trim, and apply filters. Adjust their parameters and add effects – all in real time, all during looping playbackEnhancements to 64-bit Adobe Media EncoderWith more popular presets and the new Preset Browser, you can encode video faster and use customizable preset favorites to easily configure a single source for output to nearly any combination of video targets and device formats, including Android and iOS devices, YouTube, video community, Vimeo, HDTV, and moreEnhanced Mercury Playback EngineWork dramatically faster by enjoying the sweeping performance and stability enhancements to the natively 64-bit, multicore-CPU-optimized, and GPU-accelerated Mercury engine. Support for OpenGL on some MacBook Pro computers brings GPU-accelerated workflows to Mac computer usersNew RED EPIC and RED SCARLET-X SupportTake advantage of new support for RED EPIC 5K and RED SCARLET-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formatsNew 64-Bit Encore CS6 SoftwareGet rock-solid performance and stability with Encore CS6 software, now natively 64-bit. Open and save projects faster and send them from Adobe Premiere Pro CS6 directly to Encore CS6 software without intermediate rendering. Benefit from faster MPEG import, pixel aspect ratio correction in previews, and enhanced DVD, Blu-Ray Disc, and web DVD authoringAdobe Mercury TransmitExperience better performance than ever before with third-party I/O hardware devices, including full-screen playback on external monitors, through Adobe Mercury Transmit, which gives I/O hardware partners direct access to the enhanced Mercury Playback Engine in Adobe Premiere ProRolling Shutter Repair EffectEasily repair media with rolling-shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, the powerful Rolling Shutter Repair effect can be applied without stabilization and offers enhanced controlsFaster Adobe WorkflowsEffortlessly move assets among Adobe Premiere Pro, After Effects, Photoshop Extended, Encore, Illustrator, and Adobe Audition software. Seamlessly open an After Effects composition in Adobe Premiere Pro software without intermediate rendering, thanks to the faster-than-ever Adobe Dynamic LinkImproved Third-Party Tool InteroperabilityEasily exchange projects with Final Cut Pro and Avid software, as well as other third-party tools and applications, thanks to improved support for industry-standard XML, AAF, and OMF interchange formats

Other Features

Adjustment LayersApply effects that span multiple clips. Create adjustment layers, similar to those in Adobe Photoshop and After Effects software, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shotFast Project Panel WorkflowsView, sort, and arrange media easily with the resizable clip thumbnails in the revamped visual Project panel. Quickly assemble rough cuts by scrubbing clips and setting in and out points directly in the Project panel, without first having to load clips into the Source MonitorBroad Native Format SupportSave time and maximize quality by working natively with almost every video format, without having to transcode or rewrap footageFast, Sure Output to Virtually Any Device or FormatQuickly and easily output your work for nearly any screen with Adobe Media Encoder. Set, customize, and organize your favorite presets in the Preset Browser for fast export and batch-encoding in the backgroundDVD, Blu-Ray Disc, and Web DVD AuthoringEfficiently create DVDs, Blu-ray discs, and web DVDs, all from a single project, using new 64-bit Encore CS6 software. Open sequences without rendering and use flowcharts to define and view the navigation of your project
Specifications
Minimum System RequirementsMulticore Intel processor with 64-bit support
Mac OS X v10.6.8 or v10.7
4 GB of RAM (8 GB recommended)
4 GB of available hard-disk space for installation; additional free space required during installation (cannot install on a volume that uses a case-sensitive file system or on removable flash storage devices)
Additional disk space required for preview files and other working files; 10 GB recommended
1280 x 900 display
OpenGL 2.0-capable system
7200 RPM hard drive (multiple fast disk drives, preferably RAID 0 configured, recommended)
DVD-ROM drive compatible with dual-layer DVDs (SuperDrive for burning DVDs; Blu-ray burner for creating Blu-ray Disc media)
QuickTime 7.6.6 software required for QuickTime features
Optional: Adobe-certified GPU card for GPU-accelerated performance
This software will not operate without activation. Broadband Internet connection and registration are required for software activation, validation of subscriptions, and access to online services. Phone activation is not available.